A Knight of the Seven Kingdoms Creator Unveils Decade-Spanning Plan for the Series

If your hopes were crushed when Game of Thrones ended after just eight seasons – despite such an elaborate world woven by George R.R. Martin in his novels –  A Knight of the Seven Kingdoms showrunner Ira Parker may have a wild idea for how long the show must go on, appeasing fans.

In a conversation withEsquire, Parker revealed his bold idea for the adaptation. He wants to spread the series over decades, saying, "I hope George keeps writing these. The truth is—and I've pitched this to HBO with a couple of very polite eye rolls—I want to do four or five now with Egg as a kid. Then, I want to come back in ten years and do four or five more seasons…"

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He continued, "And with real Dexter [Ansell] and real Peter, just the age that they are at that point. Then, we'll come back ten years after that and do well, Egg the adult. So, it would be over the course of their lifetime. And mine too."

While this sound intriguingly ambitious, it's very unlikely and far too bold. Even Parker admitted, "I'm not sure anyone's going to let me go for that."

A Knight of the Seven Kingdoms premiered on HBO and HBO Max on January 18, 2026, at 10 p.m. ET/PT, with new episodes dropping every Sunday through the finale on February 22, 2026.

Related: A Knight of the Seven Kingdoms Becomes Highest-Rated Season 1 in the GoT Universe

This story was originally published byTV Squadon Feb 1, 2026, where it first appeared in theShowssection. Add TV Squad as aPreferred Source by clicking here.

A Knight of the Seven Kingdoms Creator Unveils Decade-Spanning Plan for the Series

If your hopes were crushed when Game of Thrones ended after just eight seasons – despite such an elaborate world woven b...
HUNTR/X, Art Garfunkel, Clipse and more light up pre-Grammy gala hosted by Clive Davis

LOS ANGELES (AP) — The music world lost a giant when heavy metal iconOzzy Osbourne diedlast summer. So, what better way to kick off the famed Clive Davispre-Grammys galaSaturday night than with a tribute to the prince of darkness?

MGK (formerly known as Machine Gun Kelly) and country star Jelly Roll began the night of live music and tributes with Osbourne's "I Don't Wanna Stop" and "Mama, I'm Coming Home," respectively, at the Beverly Hilton in Beverly Hills, Calif.

"Rest in peace, Ozzy," MGK said. "Bring it home, Jelly."

Performances followed fast and furious from there: Alex Warren brought his "Ordinary" hit; sombr did "12 to 12"; Clipse and John Legend's "The Birds Don't Sing" told a soulful story. Olivia Dean, atop contender for best new artistat the 2026 Grammys, sang "Man I Need."

Greatest of all? The trio HUNTR/X doing "Golden" from"Kpop Demon Hunters,"a fictional girl group built of very real singers Ejae (the voice of Rumi), Audrey Nuna (Mira), and Rei Ami (Zoey), for a full-throated vocal performance.

Before the 93-year-old famed music executive Davis emerged on stage in a sequined suit to host his annual gala, Recording Academy President and CEOHarvey Mason jr. announcedthat the date of the event, Jan. 31, had been dubbed "Clive Davis Day" by the city of Beverly Hills, where it was held.

"I think you're gonna have an incredible time this evening," Davis told his audience, an understatement if there ever was one, before shouting out some of the big names seated before him: Joni Mitchell, Nancy Pelosi, Berry Gordy and Brandi Carlile among them.

A midshowtribute to Bernie Taupin,Elton John's principal collaborator and lyricist, got people dancing; Darren Criss launched into "Benny and the Jets." Laufey joined him for the duet "Don't Go Breaking My Heart."

Republic Records founders, CEO Monte Lipman and COO Avery Lipman, were honored with the 2026 Grammy Salute to Industry Icons Award at the star-studded event and used their speeches to spotlight Universal Music Group's entrepreneurial spirit. EvenStevie Wondersang their praises.

The brothers have been celebrated as titans of their industry; Republic Records is routinely viewed as one of the most influential labels in the music business.

Davis' gala, the incredibly popular and equally exclusive event, struck a different tone this year than last, when it was transformedto refocus on relief effortsfollowing the devastatingLos Angeles-area wildfires.

Outside, a small group of protesters, with a megaphone, held an anti-immigration enforcement demonstration. The Beverly Hilton is a part of Hilton Worldwide; recently, protesters haveheld demonstrations in NYCand Minneapolis, wearing shirts that read "Hilton houses ICE" and calling for Hilton to stop federal immigration officers from staying there.

Inside, music was at the center: Jennifer Hudson paid homage tothe late Roberta Flackwith "The First Time Ever I Saw Your Face." The duo Dan + Shay did the same for Art Garfunkel, who later closed the stage with "Bridge Over Troubled Water."

Before he performed, Garfunkel told the room his song was styled after Phil Spector's production on "Ol' Man River," where the biggest orchestration is saved for the last line. Davis was an early believer in the unusual idea.

Gaining admittance to Davis' event is notoriously challenging. The A-listers who made the cut this year included Diplo, Karol G, Pharrell Williams, Rita Wilson, Dave Grohl, Diane Warren, Sharon Osbourne, Yungblud, Colman Domingo, Teyana Taylor, Jeff Goldblum, Gladys Knight, Madison Beer, Cameron Crowe, Lana Del Rey, Shaboozey, Max Martin, Leon Thomas, Bebe Rexha and Jack Antonoff.

Don Lemon, too, received one of Davis' coveted shout-outs. The independent journalist was released from custody Friday after he was arrested and hit withfederal civil rights chargesover his coverage of an anti-immigration enforcement protest thatdisrupted a serviceat a Minnesota church. When he stood from his seat to wave to the crowd, he was met with a standing ovation.

Early on in the evening, a video message from President Barack Obama played on screen. "Clive's talent has always been seeing and hearing what other people don't," he said, then listed a few of the artists Davis helped launch: "Janis Joplin,Bruce Springsteen,Whitney Houston."

It is an impressive list and further evidence of what makes Davis' party a highlight of every Grammy week. There's a lot of talent in the room, and at its heart is the man who knows how to recognize it. Or, as Gayle King said when she quoted Warren at the top of the show: "He's the best friend a song ever had."

The 68th Grammy Awards will be held Feb. 1 at Crypto.com Arena in Los Angeles. The show will air on CBS and stream on Paramount+. For more coverage of this year's Grammy Awards, visit:www.apnews.com/hub/grammy-awards

HUNTR/X, Art Garfunkel, Clipse and more light up pre-Grammy gala hosted by Clive Davis

LOS ANGELES (AP) — The music world lost a giant when heavy metal iconOzzy Osbourne diedlast summer. So, what better way ...
Milan's historical trams at night as the city gears up for the Winter Olympic Games, in photos

MILAN, Italy (AP) — Milan's tram network is one of Italy's largest and oldest, with the core fleet dating back to the late 19th century, The network began with horse-drawn carriages, switching to steam in 1878, becoming fully electrified by 1901.

The polished raised cabins, wooden interiors and ornate lighting of the oldest trams still operating, dating from 1927-'30, offer the perspective of a bygone era, especially alongside sleeker, modern models.

This is a photo gallery curated by AP photo editors.

Milan’s historical trams at night as the city gears up for the Winter Olympic Games, in photos

MILAN, Italy (AP) — Milan's tram network is one of Italy's largest and oldest, with the core fleet dating back t...
In Minneapolis, all-encompassing immigration story tests a newsroom in midst of digital transition

With the eyes of a nation fixed on the unrest in Minneapolis, the events haven't left local journalists overmatched.

Associated Press A protester sits on the street with his arms up in front of federal agents in Minneapolis, on Saturday, Jan. 24, 2026. (Alex Kormann/Star Tribune via AP) This undated photo shows Steve Grove, publisher and chief executive of the Star Tribune, speaking to the newsroom in Minneapolis. (Renee Jones Schneider/Star Tribune via AP) This undated photo shows Star Tribune reporter Liz Sawyer in Minneapolis. (Aaron Lavinsky/Star Tribune via AP) This undated photo shows Star Tribune photographer Richard Tsong-Taatarii in Minneapolis. (Alex Kormann/Star Tribune via AP)

Immigration Enforcement Minnesota

Over the past month, the Minnesota Star Tribune has broken stories, including the identity of theimmigration enforcement officerwho shotRenee Good, and produced a variety of informative and instructive pieces. Richard Tsong-Taatarii'sphotoof a prone demonstrator sprayed point-blank with a chemical irritant quickly became a defining image. TheICE actionshave changed how the outlet presents the news.

At a time when many regional newspapers have become hollowed-out shells due to thedecline in journalismas a business, the Star Tribune has kept staffing relatively steady under billionaireGlen Taylor, who has owned it since 2014. It rebranded itself from the Minneapolis Star Tribune and committed itself to a digital transformation.

It was ready for its moment.

"If you hadn't invested in the newsroom, you wouldn't be able to react in that way," said Steve Grove, publisher and chief executive.

Minnesota's robust journalism tradition

The Star Tribune hasn't operated in a vacuum. Minneapolis has a robust journalism tradition, particularly on public radio and television. Sahan Journal, a digital newsroom focusing on immigrants and diverse communities, has also distinguished itself covering President Donald Trump's immigration efforts and the public response.

"The whole ecosystem is pretty darn good," said Kathleen Hennessey, senior vice president and editor of the Star Tribune, "and I think people are seeing that now."

While national outlets have made their presence felt, strong local teams offer advantages in such stories. The Star Tribune's Josie Albertson-Grove was one of the first journalists on the scene afterICU nurse Alex Prettiwas shot dead on Jan. 24. She lives about a block away, and her knowledge of the neighborhood and its people helped to reconstruct what happened.

Journalists with kids in school learned about ICE efforts to target areas where children gather by hearing chatter among friends. While covering a beat like public safety can carry baggage, Star Tribune reporter Liz Sawyer developed sources that helped her, along with colleagues Andy Mannix and Sarah Nelson, report on who shot Good.

Besides those contacts, the staff simply knows Minnesota better than outsiders, Hennessey said.

"This is a place with a really, really long and entrenched tradition of activism, and a place with really deep social networks and neighborhood networks," she said. "People mobilize quickly and passionately, and they're noisy about it. That's definitely been part of the story."

A Signal chat tipped Tsong-Taatarii about a demonstration growing raucous on Jan. 21. Upon arriving, he focused his lens on one protester knocked to the ground, leaving the photographer perfectly placed for his richly-detailed shot. Two officers hold the man face-down with arms on his back, while a third unleashes a chemical from a canister inches from his face. The bright yellow liquid streams onto his cheek and splatters onto the pavement.

What some have called the sadistic cruelty involved in the episode outraged many who saw the photo. "I was just trying to document and present the evidence and let people decide for themselves," Tsong-Taatarii said.

'A badge to prove I belong'

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In one enterprising story, the Star Tribune's Christopher Magan and Jeff Hargarten identified 240 of an estimated 3,000 immigrants rounded up in Minnesota, finding 80% had felony convictions but nearly all had been through the court system, been punished and were no longer sought by police. Hargarten and Jake Steinberg collaborated on a study of how the size of the federal force compared with that of local police.

Columnist Laura Yuen wrote that her 80-year-old parents have begun carrying their passports when they leave their suburban townhouse, part of the "quiet, pervasive fear" in the Twin Cities. Yuen downloaded her own passport to carry on her phone. "A document that once made me proud of all the places I've traveled is now a badge to prove I belong," she wrote.

A piece by Kim Hyatt and Louis Krauss detailed the health consequences of chemical irritants used by law enforcement — or thought to be used, since questions about what specifically was deployed went unanswered.

"I really think they've done a commendable job," said Scott Libin, a veteran television newsman and journalism professor at the University of Minnesota. He praised the Star Tribune's story about the criminal backgrounds of immigrants as thorough and dispassionate.

Since Hennessey, a former Associated Press editor, began her job last May, the Star Tribune has experienced a run of big stories, including theshootingof two state lawmakers and agunman opening fireat a Catholic school in Minneapolis. And, of course, "we have a newsroom that still has muscle memory fromGeorge Floyd" in 2020, Grove said.

News compelled fundamental shifts in the way the Star Tribune operates. Like some national outlets, it has rearranged staff to cover the story aggressively through a continuously updated live blog on its website, offered free to readers. There's also a greater emphasis on video, with the Star Tribune doing forensic studies on footage from the Pretti and Good shootings, something few local newsrooms are equipped to do. Traffic to its website has gone up 50 percent, paid subscriptions have increased and the company is getting thousands of dollars in donations from across the country, Grove said.

"People have changed the way that they consume news," Hennessey said. "We see that readers are coming back. You know, they're not just waking up in the morning, reading the site and then forgetting about us all day long. They're coming back a couple of times a day to check in on what's new."

Most people in the newsroom are contributing to the story, including the Star Tribune's food and culture team, and its outdoor reporters. "There are no normal beats anymore," Albertson-Grove said.

A rapid transformation to a digital-first newsroom

Under Grove, a former Google executive, the Star Tribune has attempted a digital-first transition, turning over about 20% of its staff in two years. The paper shut its Minneapolis printing plant in December, laying off 125 people, and moving print operations to Iowa.

"We face every single headwind that every local news organization in the country does," Grove said. "But we do feel fortunate that we're the largest newsroom in the Midwest and it's part of the reason we're able to do this now."

As a reporter, Sawyer says the public response to the outlet's work, sharing stories and images, has lifted her spirits. Readers see it as public service journalism. Still, she could use a break. She and her husband, Star Tribune photographer Aaron Lavinsky, have a baby daughter and make sure to stagger their coverage. They can't both be tear-gassed or arrested at the same time; who makes the daycare pickup?

"I think both residents and journalists in this town are running on fumes," she said. "We're tired of being in the international spotlight and it's never for something positive. People are trying their best to get through this moment with grace."

David Bauder writes about the intersection of media and entertainment for the AP. Follow him athttp://x.com/dbauderandhttps://bsky.app/profile/dbauder.bsky.social.

In Minneapolis, all-encompassing immigration story tests a newsroom in midst of digital transition

With the eyes of a nation fixed on the unrest in Minneapolis, the events haven't left local journalists overmatched....
Black history centennial channels angst over anti-DEI climate into education, free resources

For academics, historians and activists, the past year has been tumultuous in advocating the teaching of Black history in the United States.

Despite last year proclaiming February as National Black History Month, President Donald Trump started his second term by claiming some African American history lessons are meant to indoctrinate people into hating the country. The administration has dismantled Black history at national parks, most recently removingan exhibit on slavery in Philadelphialast month. Black history advocates see these acts and their chilling effect as scary and unprecedented.

"States and cities are nervous about retribution from the White House," said DeRay Mckesson, a longtime activist and executive director of Campaign Zero, an organization focused on police reform. "So even the good people are just quieter now."

In the 100th year since the nation's earliest observances of Black History Month — which began whenscholar Carter G. Woodson pioneered the first Negro History Week— celebrations will go on. The current political climate has energized civil rights organizations, artists and academics to engage young people on a full telling of America's story. There are hundreds of lectures, teach-ins and even new books — from nonfiction to a graphic novel — to mark the milestone.

"This is why we are working with more than 150 teachers around the country on a Black History Month curriculum to just ensure that young people continue to learn about Black history in a way that is intentional and thoughtful," Mckesson said about a campaign his organization has launched with the Afro Charities organization and leading Black scholars to expand access to educational materials.

New graphic novel highlights history of Juneteenth

About three years ago, Angélique Roché, a journalist and adjunct professor at Xavier University of Louisiana, accepted a "once-in-a-lifetime" invitation to be the writer for a graphic novel retelling of the story ofOpal Lee, "grandmother of Juneteenth."

Lee, who will also turn 100 this year, is largely credited for getting federal recognition of theJune 19 holidaycommemorating the day when enslaved people in Texas learned they were emancipated. Under Trump, however, Juneteenth isno longer a free-admission dayat national parks.

Juneteenth helped usher in the first generation of Black Americans who, like Woodson, was born free. "First Freedom: The Story of Opal Lee and Juneteenth," the graphic novel, comes out Tuesday. It is the culmination of Roché's assiduous archival research, phone chats and visits to Texas to see Lee and her granddaughter, Dione Sims.

"There is nothing 'indoctrinating' about facts that are based on primary sources that are highly researched," said Roché, who hopes the book makes it into libraries and classrooms. "At the end of the day, what the story should actually tell people is that we're far more alike than we are different."

While Lee is the main character, Roché used the novel as a chance to put attention on lesser known historical figures like William "Gooseneck Bill" McDonald, Texas' first Black millionaire, and Opal Lee's mother, Mattie Broadous Flake.

She hopes this format will inspire young people to follow Lee and her mantra — "make yourself a committee of one."

"It doesn't mean don't work with other people," Roché said. "Don't wait for other people to make the changes you wanna see."

Campaign aims to train new generation of Black historians

When Trump's anti-DEI executive orders were issued last year, Jarvis Givens, a professor of African and African American Studies at Harvard, was thousands of miles away teaching in London, where Black History Month is celebrated in October. He had already been contemplating writing a book for the centennial.

Watching Trump's "attack" cemented the idea, Givens said.

"I wanted to kind of devote my time while on leave to writing a book that would honor the legacy that gave us Black History Month," Givens said.

The result is "I'll Make Me a World: The 100-Year Journey of Black History Month," a book with four in-depth essays that comes out Tuesday. The title is a line from the 1920s poem "The Creation" by James Weldon Johnson, whose most famous poem, "Lift Ev'ry Voice and Sing," is known as the "Black National Anthem."

Givens examines important themes in Black history and clarifies misconceptions around them.

The book and the research Givens dug up will tie into a "living history campaign" with Campaign Zero and Afro Charities, Mckesson said. The goal is to teach what Woodson believed — younger generations can become historians who can discern fact from fiction.

"When I grew up, the preservation of history was a historian's job," Mckesson said, adding his group's campaign will teach young students how to record history.

How the 'father of Black history' might feel today

Born in 1875 to formerly enslaved parents, Woodson was among the first generation of Black Americans not assigned to bondage at birth. He grew up believing that education was a way to self-empowerment, said Robert Trent Vinson, director of the Carter G. Woodson Institute at the University of Virginia in Charlottesville, Virginia.

The second Black man to earn a doctorate at Harvard University — W. E. B. Du Bois was the first — Woodson was disillusioned by how Black history was dismissed. He saw that the memories and culture of less educated Black people were no less valuable, Vinson said.

When Woodson established Negro History Week in 1926, he was in an era where popular stereotypes like blackface and minstrelsy were filling in for actual knowledge of the Black experience, according to Vinson. This sparked the creation of Black history clubs and Woodson began inserting historical lessons "on the sly" in publications like the "Journal of Negro History" and the "Negro History Bulletin."

"Outside the formal school structure, they're having a separate school like in churches or in study groups," Vinson said. "Or they're sharing it with parents and saying, 'you teach your young people this history.' So, Woodson is creating a whole educational space outside the formal university."

In 1976, for the week's 50th anniversary, President Gerald Ford issued a message recognizing it as an entire month. There was pushback then over the gains the Civil Rights Movement had made, Givens said.

As for today's backlash over Black and African American studies, Vinson believes Woodson would not be surprised. But, he would see it as a sign "you're on the right track."

"There's a level of what he called 'fugitivity,' of sharing this knowledge and being strategic about it," Vinson said. "There are other times like in this moment, Black History Month, where you can be more out and assertive, but be strategic about how you spread the information."

Resistance to teaching Black history is something that seems to occur every generation, Mckesson said.

"We will go back to normalcy. We've seen these backlashes before," Mckesson said. "And when I think about the informal networks of Black people who have always resisted, I think that is happening today."

Tang reported from Phoenix.

Black history centennial channels angst over anti-DEI climate into education, free resources

For academics, historians and activists, the past year has been tumultuous in advocating the teaching of Black history i...

 

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